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The Sator Square from the Palestra Grande

Stucco panel with graffiti inscription
1st cent. AD.
plaster
Pompeii, Palestra Grande (II 7), column
Archaeological Park of Pompeii, inv. 20565
Photo Amedeo Benestante

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Apograph of the graffiti inscription
20th cent
ink on tracing paper
Pompeii, House of Bacchus (VII 4, 10)
Archaeological Park of Pompeii
Photo Amedeo Benestante

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Matteo Della Corte “Le iscrizioni della “Grande Palestra” ad occidente dell’ Anfiteatro” in Notizie degli Scavi, pp.263,264, NSA, 1939
Archaeological Park of Pompeii

Della_corte_page-0002

Antonio Varone, TITULORUM GRAPHIO EXARATORUM QUI IN C.I.L. VOL. IV COLLECTI SUNT IMAGINES, Vol.I pag. 144, Studi della Soprintendenza Archeologica di Pompei, L’Erma di Bretschneider, Roma, 2012
Archaeological Park of Pompeii
© L’Erma di Bretschneider

scansione_libro_43

from the archive

“Digitalogy”: Between Digital Archaeology and Digital Palaeontology

28 • 07 • 2022

Retrospective and perspective stratifications, for the decay and the endless interpretation of the image

Stucco panel with graffiti inscription 1st cent. AD. plaster Pompeii, Palestra Grande (II 7), column Archaeological Park of Pompeii, inv. 20565 Photo Amedeo Benestante

Apograph of the graffiti inscription 20th cent ink on tracing paper Pompeii, House of Bacchus (VII 4, 10) Archaeological Park of Pompeii Photo Amedeo Benestante

Matteo Della Corte “Le iscrizioni della “Grande Palestra” ad occidente dell’ Anfiteatro” in Notizie degli Scavi, pp.263,264, NSA, 1939 Archaeological Park of Pompeii

Antonio Varone, TITULORUM GRAPHIO EXARATORUM QUI IN C.I.L. VOL. IV COLLECTI SUNT IMAGINES, Vol.I pag. 144, Studi della Soprintendenza Archeologica di Pompei, L’Erma di Bretschneider, Roma, 2012 Archaeological Park of Pompeii © L’Erma di Bretschneider