{"id":456,"date":"2020-12-17T11:01:32","date_gmt":"2020-12-17T10:01:32","guid":{"rendered":"https:\/\/pompeiicommitment.org\/?page_id=456"},"modified":"2021-01-29T13:11:32","modified_gmt":"2021-01-29T12:11:32","slug":"library","status":"publish","type":"page","link":"https:\/\/pompeiicommitment.org\/en\/library\/","title":{"rendered":"Library"},"content":{"rendered":"

<\/h3>\n

This bibliography is the constantly updated matrix of a future Library: the one that from late 2021 the Research Center of the Archaeological Park of Pompeii will dedicate to the interconnections between the history of archaeology and its real or fantastic trajectories, the archaeology of the past and the archaeology of the future.<\/h3>\n

All these publications (essays, fiction books, films, websites) have contributed to forming the evolving episteme of Pompeii Commitment. Archaeological Matters<\/em>. They are listed in chronological order and, in some instances, the original version is indicated together with the one consulted by the curators. The publications included in the research conducted by the authors of the Commitments<\/em> and the Fabulae\u00a0<\/em>are identified through a code linking to their contribution.\u00a0The editorial information is listed in Italian and English, while the names of cities and countries are in their original language.<\/p>\n

The Archaeology and Futurology Library<\/em> is conceived by Andrea Viliani with Stella Bottai, Laura Mariano and Silvia Martina Bertesago, by whom it is regularly updated. As the discipline to which it refers, this Library is still in progress<\/em>. From the beginning of 2021, it will be activated through a program of text interventions, podcasts and interviews with some of the authors included in the bibliography.<\/p>\n

 <\/p>\n

\n

Plinio il Vecchio,\u00a0Naturalis Historia<\/em>, 77-78 d.C.<\/p>\n

Plinio il Giovane, \u201cEpistulae ad Familiares, VI, 16, 20\u201d, in Epistularum libri<\/em> (Lettere ai familiari, <\/em>tr.\u00a0 e note di \/ tr. and notes by Luigi Rusca, Rizzoli, Milano, 1961)<\/p>\n

Le Antichit\u00e0 di Ercolano esposte, Le pitture antiche d\u2019Ercolano e contorni incise con qualche spiegazione, <\/em>\u00a0Regia Stamperia, Napoli, 1757-1792, 8 vol.<\/p>\n

Johann Joachim Winckelmann, Monumenti antichi inediti spiegati ed illustrati da Giovanni Winckelmann, <\/em>M. Pagliarini, 1767, 2 vol.<\/p>\n

Edward Gibbon, The History of the Decline and Fall of the Roman Empire<\/em>, Strahan & Cadell, London, 1776\u20131789 (Simone Fattal<\/a>)<\/p>\n

Sir William Hamilton, \u201cAccount of the discoveries at Pompeii\u201d, <\/em>in Archeologia: or Miscellaneous Tracts Relating to Antiquity \/ Society of Antiquaries of London<\/em>, vol. 4, London, 1777<\/p>\n

Jean-Claude Richard de Saint-Non, Voyage pittoresque ou Description des royaumes de Naples et de Sicile. <\/em>Tome second, <\/em>Paris, 1782<\/p>\n

Francesco Piranesi, Le antichit\u00e0 della Magna Grecia incise dai disegni di Giovanni Battista Piranesi, <\/em>1804-05, 2 vol.<\/p>\n

Johann Wolfgang Goethe, Aus meinem Leben. Zweyter Abtheilung, Erster Theil und Zweyter Theil. Auch ich in Arcadien !, <\/em>Cotta, Stuttgart-T\u00fcbingen, 1816-17, 2 vol.<\/p>\n

Stendhal, Rome, Naples et Florence,<\/em> 1817 (Librairie Ancienne H. Champion, Paris, 1919)<\/p>\n

William Gell, Pompeiana: the topography, edifices and ornaments of Pompeii; the result of excavations since 1819, <\/em>Rodwell and Martin, London, 1824<\/p>\n

Charles-Fran\u00e7ois Mazois, Les ruines de Pomp\u00e9i dessin\u00e9es et mesur\u00e9es, Seconde partie, <\/em>Firmin Didot, Paris, 1824<\/p>\n

Carlo Bonucci, Pompei descritta, <\/em>De\u2019 Torchi, Napoli, 1827<\/p>\n

Jean Marie Le Riche, Vues des monuments antiques de Naples grav\u00e9es \u00e0 l\u2019acqua-tinta. Accompagn\u00e9es de Notices et de Dissertation, <\/em>Nepveu, Paris, 1827<\/p>\n

Madame de Sta\u00ebl, Corinne ou l\u2019Italie, <\/em>Firmin Didot, Paris, 1838<\/p>\n

Fausto Niccolini, Felice Niccolini, Le case ed i monumenti di Pompei disegnati e descritti<\/em><\/p>\n

Napoli, 1854 (ripubblicato \/ republished 2000)<\/p>\n

Henry David Thoreau, Walden; or Life in the Woods,<\/em> Ticknor and Fields, Boston 1854 (Walden ovvero Vita nei boschi,<\/em> Piero Sanavio, a cura di \/ edited by, BUR, Milano, 2018)<\/p>\n

Charles Darwin, On the Origin of Species<\/em>, John Murray, London, 1859 (L\u2019origine delle specie<\/em>, Giuliano Pancaldi, a cura di \/ edited by, BUR, Milano, 2009)<\/p>\n

Giuseppe Fiorelli, Pompeianarum Antiquitatum Historia, <\/em>Napoli, 1860-64<\/p>\n

Fran\u00e7ois-Ren\u00e9 de Chateaubriand, Voyage en Italie, <\/em>Garnier Freres, Paris, 1861<\/p>\n

Ernest Breton, Pompeia d\u00e9crite et dessin\u00e9e. Suivie d\u2019une notice sur Herculanum, <\/em>Paris, 1870<\/p>\n

Gustavo Luzzati, Pompei com\u2019era e qual\u2019\u00e8. Descrizione popolare per Gustavo Luzzati, <\/em>Tipografia della Gazzetta di Napoli, Napoli, 1872<\/p>\n

Friedrich Nietzsche, Die Geburt der Trag\u00f6die aus dem Geiste der Musik<\/em>, E. W. Fritzsch, Leipzig, 1872 (La nascita della tragedia<\/em>, Vivetta Vivarelli, a cura di \/ edited by, Torino, Einaudi, 2009)<\/p>\n

Jules Gourdault, Italie, <\/em>Librairie Hachette, Paris, 1877<\/p>\n

Johann Friedrich Overbeck, August Mau, Pompeji in seinen Geb\u00e4uden, Alterth\u00fcmern und Kunstwerken, <\/em>Wilhelm Engelmann, Leipzig, 1884<\/p>\n

Friedrich Nietzsche, Ecce homo. Wie man wird, was man ist, <\/em>Verlag von C.G. Naumaun, Leipzig, 1888 (Ecce homo. <\/em>Come si diventa ci\u00f2 che si \u00e8<\/em>, Roberto Calasso, a cura di \/ edited by, Biblioteca Adelphi,\u00a0 , Milano1969)<\/p>\n

G. Wells, The Time Machine: An Invention,<\/em> Henry Holt and Company, New York, 1895<\/p>\n

Henri Bergson, \u201c<\/em>Mati\u00e8re et m\u00e9moire: essai sur la relation du corps \u00e0 l\u2019esprit\u201d, 1896, in Oeuvres<\/em>, Edition du Centenaire, Presses Universitaires de France, Paris 1959 (Materia e memoria. <\/em>Saggio sulla relazione tra il corpo e lo spirito<\/em>, Adriano Pessina, a cura di \/ edited by, Biblioteca Universale Laterza, Bari, 2009)<\/p>\n

G. Wells, The Island of Dr. Moreau, <\/em>Heinemann, London, 1896<\/p>\n

Giuseppe Fiorelli, Guida di Pompei, <\/em>Tipografia della Regia Universit\u00e0 nel gi\u00e0 collegio del Salvatore, Napoli, 1897<\/p>\n

G. Wells, The War of the Worlds, <\/em>in Pearson’s Magazine<\/em>, London, 1897<\/p>\n

August Mau, Pompeji in Leben und Kunst, <\/em>Wilhelm Engelmann, Leipzig, 1900<\/p>\n

Georges M\u00e9li\u00e8s, Le Voyage dans la Lune, <\/em>France, 1902<\/p>\n

Wilhelm Jensen, Gradiva. Ein pompejanisches Phantasiest\u00fcck<\/em>, S. Fischer Verlag, Berlin, 1903 (\u201cGradiva\u201d, in Racconti d’amore del \u2018900<\/em>, Paola Decina Lombardi, a cura di \/ edited by, tr. Cesare Musatti, Mondadori, Milano 1990)<\/p>\n

Hans Driesch, Der Vitalismus als Geschichte und als Lehre<\/em>, Johann Ambrosius Barth, Leipzig 1905 (Il vitalismo, storia e dottrina<\/em>, tr. Mario Stenta, R. Sandron, Firenze, 1911)<\/p>\n

Pierre Gusman, Pomp\u00e9i: la ville, les moeurs, les arts, <\/em>Gaillard, Paris, 1906<\/p>\n

Henri Bergson, L’\u00c9volution cr\u00e9atrice<\/em>, F\u00e9lix Alcan, Paris, 1907 (L’ evoluzione creatrice<\/em>, Marinella Acerra, a cura di \/ edited by, BUR, 2012)<\/p>\n

Henri Bergson, \u201c<\/em>Fant\u00f4mes de vivants\u201d et “recherche psychique\u201d, in Annales de Sciences Psychiques<\/em>, XI\/XII, 1913 (Conferenza sui fantasmi<\/em>, tr. Giacomo Scarpelli,\u00a0Theoria, Roma 1983)<\/p>\n

Henri Bergson, Dur\u00e9e et simultan\u00e9it\u00e9, \u00e0 propos de la th\u00e9orie d’Einstein<\/em>, F\u00e9lix Alcan, Paris, 1922 (Durata e simultaneit\u00e0 (a proposito della teoria di Einstein) e altri testi sulla teoria della relativit\u00e0<\/em>, tr. Paolo Taroni,\u00a0Pitagora, Bologna 1997)<\/p>\n

Sigmund Freud, Der Wahn und die Tr\u00e4ume in W. Jensens \u201cGradiva\u201d<\/em>, Hugo Heller, Wien\/Leipzig, 1907 (\u201cIl delirio e i sogni della Gradiva di Wilhelm Jensen\u201d, in Opere<\/em>, vol. 5, Bollati Boringhieri, Torino, 1985)<\/p>\n

Fritz Lang, Metropolis<\/em>, Deutschland, 1927<\/p>\n

Amedeo Maiuri, Pompei (con 14 acquerelli di Luigi Bazzani), <\/em>Istituto editoriale scientifico, Milano, 1928<\/p>\n

Edward Bulwer-Lytton, Les derniers jours de Pomp\u00e9i, <\/em>Nelson, Paris, 1931<\/p>\n

Georges Bataille, La Notion de d\u00e9pense<\/em>, \u201cLa Critique sociale\u201d, Paris, 1933 (Il dispendio<\/em>, Elena Pulcini, a cura di \/ edited by, Armando, Roma, 1997)<\/p>\n

Aleksandr Dovzhenko, Aerograd<\/em>, CCCP, 1935<\/p>\n

Walter Benjamin, Tesi sul concetto di storia<\/em>, 1939-1940 (in Angelus Novus. Saggi e frammenti<\/em>, a cura di \/ edited by Renato Solmi, Torino, Einaudi, Collana Saggi, n. 309, 1962)<\/p>\n

Malcolm Lowry, \u201cPresent Estate of Pompeii\u201d, <\/em>1948, in Hear Us O Lord from Heaven Thy Dwelling Place, J.B.<\/em>, Lippincott Company, Philadelphia-New York, 1961<\/p>\n

Jorge Luis Borges, El Aleph<\/em>, Losada, Buenos Aires, 1949 (L\u2019Aleph<\/em>, tr. Francesco Tentori Montalto, Biblioteca Adelphi, Milano, 1998)<\/p>\n

Theodor Adorno, Minima Moralia \u2013 Reflexionen aus dem besch\u00e4digten Leben, <\/em>Suhrkamp, Frankfurt am Main, 1951 (Minima moralia. <\/em>Meditazioni della vita offesa, <\/em>tr. Renato Solmi, Einaudi, Torino, 1994)<\/p>\n

Isaac Asimov, Foundation<\/em>. An Interplanetary Novel<\/em>, Gnome Press, New York, 1951<\/p>\n

Christian Nyby, Howard Hawks, The Thing from Another World<\/em>, USA, 1951<\/p>\n

Robert Wise, The Day the Earth Stood Still<\/em>, USA, 1951<\/p>\n

Jack Arnold, It Came from Outer Space<\/em>, USA, 1953<\/p>\n

William Cameron Menzies, Invaders from Mars<\/em>, USA, 1953<\/p>\n

Vittorio Spinazzola, Pompei alla luce degli scavi nuovi di Via dell\u2019Abbondanza, <\/em>La libreria dello Stato, Roma, 1953<\/p>\n

Roberto Rossellini, Viaggio in Italia<\/em>, Italia-France, 1954<\/p>\n

Isaac Asimov, The End of Eternity<\/em>, Doubleday, New York, 1955 (La fine dell\u2019eternit\u00e0,<\/em> tr. Giuseppe Lippi, Arnoldo Mondadori Editore, Milano, 1996)<\/p>\n

Don Siegel, Invasion of the Body Snatchers<\/em>, USA, 1956<\/p>\n

Sir Mortimer Wheeler, Archaeology from the Earth, <\/em>Penguin Books, London, 1956<\/p>\n

Fred McLeod Wilcox, Forbidden Planet<\/em>, USA, 1956<\/p>\n

Chris Marker, La jet\u00e9e<\/em>, France, 1962<\/p>\n

Jean-Luc Godard, Alphaville, une \u00e9trange aventure de Lemmy Caution<\/em>, France\/Italia, 1965<\/p>\n

Frank Herbert, Dune<\/em>, Chilton Books, Boston, 1965 (tr. Gianpaolo Cossato, Sandro Sandrelli, Cosmo Oro Serie, Editrice Nord, Milano, 1973)<\/p>\n

Theodor Adorno, Negative Dialektik, Suhrkamp, Frankfurt am Main 1966 (Dialettica negativa<\/em>, tr. P. Lauro, introduzione e a cura di \/ introduction and edited by S. Petrucciani, Einaudi, Torino 2004)<\/p>\n

Fran\u00e7ois Truffaut, Fahrenheit 451<\/em>, UK, 1966<\/p>\n

Philip K. Dick, Do Androids Dream of Electric Sheep?<\/em>, Doubleday, New York, 1968 (&Ridley Scott, Alien<\/em>, UK\/USA, 1979)<\/p>\n

Stanley Kubrick, 2001: A Space Odissey<\/em>, USA\/UK, 1968<\/p>\n

Franklin J. Schaffner, Planet of the Apes<\/em>, USA, 1968<\/p>\n

Mierle Laderman Ukeles, MANIFESTO FOR MAINTENANCE ART, 1969! Proposal for an exhibition:\u201cCARE\u201d, <\/em>1969<\/p>\n

Ursula K. Le Guin, The Left Hand of Darkness<\/em>, Ace Books, New York, 1969 (La mano sinistra delle tenebre<\/em>, tr. Ugo Malaguti, Cosmo Oro Serie, Editrice Nord, Milano,1984)<\/p>\n

Theodor Adorno, \u00c4sthetische Theorie, <\/em>Suhrkamp, 1970 (Teoria estetica<\/em>, Gretel Adorno, Rolf Tiedemann, a cura di \/edited by, tr. Enrico De Angelis, Einaudi, Torino, 1977)<\/p>\n

George Lucas, THX 1138<\/em>, USA, 1971<\/p>\n

Isaac Asimov, The Gods Themselves, <\/em>Doubleday, New York, 1972 (Neanche gli Dei,<\/em> tr. Beata Della Frattina, Arnoldo Mondadori Editore, Milano, 1993)<\/p>\n

Friedrich Furchheim, Bibliografia di Pompei, Ercolano e Stabia, <\/em>L. Regina, Napoli, 1972<\/p>\n

Andrei Tarkovsky, Solaris<\/em>, \u0421\u0421\u0421\u0420, 1972<\/p>\n

Michael Crichton, Westworld<\/em>, USA, 1973<\/p>\n

Emidio Greco, L’invenzione di Morel<\/em>, Italia, 1974<\/p>\n

Ursula K. Le Guin, The Disposessed: an Ambiguous Utopia<\/em>, Harper & Row, New York, 1974 (I reietti dell’altro pianeta<\/em>, tr. Riccardo Valla, Mondadori, Milano, 2014)<\/p>\n

Ranuccio Bianchi Bandinelli, Introduzione all\u2019archeologia classica come storia dell\u2019arte antica, <\/em>Universale Laterza, Bari, 1976<\/p>\n

Gilles Deleuze, Felix Guattari, \u201cRizoma\u201d, in \u00c9ditions de Minuit<\/em>, Parigi, 1976 (Rizoma<\/em>, tr. Stefano Di Riccio, Pratiche, Parma, 1977) > Gilles Deleuze, Felix Guattari, Mille plateaux<\/em>, \u00c9ditions de minuit, Paris, 1980 (Mille piani. <\/em>Capitalismo e schizofrenia<\/em>, tr. G. Passerone, Castelvecchi, Roma, 1980)<\/p>\n

Philip Barker, Techniques of Archeological Excavation, <\/em>B.T. Batsford Ltd, London, 1977<\/p>\n

Luigi D\u2019Amore, Pompei<\/em>, A.G.M. Stabilimento Masi editore, Napoli, 1979 (Elena Mazzi<\/a>)<\/p>\n

Edward C. Harris, Principles of Archaeological Stratigraphy, <\/em>Academic Press Inc., London, 1979<\/p>\n

James E. Lovelock, Gaia. A New Look at Life on Earth<\/em>, Oxford University Press, 1979<\/p>\n

Andrei Tarkovsky, Stalker<\/em>, \u0421\u0421\u0421\u0420\/DDR, 1979<\/p>\n

Michel de Certeau, L’invention du quotidien. Vol. 1, Arts de faire’<\/em>, Union g\u00e9n\u00e9rale d’\u00e9ditions, Paris, 1980<\/p>\n

Andrea Carandini, Storie dalla terra. Manuale dello scavo archeologico, <\/em>De Donato, Bari, 1981<\/p>\n

Cesare De Seta, a cura di \/ edited by, Napoli \u201881. Sette fotografi per una nuova immagine, <\/em>Electa, Milano, 1981<\/p>\n

Ridley Scott, Blade Runner<\/em>, USA, 1982<\/p>\n

William Gibson, Neuromancer<\/em>, Ace Books, New York, 1984<\/p>\n

Hayao Miyazaki, Kaze no tani no Naushika<\/em>, Giappone, 1984<\/p>\n

David Cronenberg, The Fly<\/em>, USA, 1986<\/p>\n

Katsuhiro \u00d4tomo, \u30a2\u30ad\u30e9- Akira<\/em>, \u65e5\u672c, 1988<\/p>\n

Andrzej Zulawski, Na srebrnym globie<\/em>, Polska, 1988<\/p>\n

Isaac Asimov, Nemesis<\/em>, Bantam Books, New York, 1989 (Nemesis<\/em>, tr. Piero Anselmi, Arnoldo Mondadori Editore, Milano, 1990)<\/p>\n

Micheal Crichton, Jurassic Park<\/em>, Alfred A. Knopf, New York, 1990 (& Steven Spielberg, Jurassic Park<\/em>, USA, 1993)<\/p>\n

Yukito Kishiro, \u9283\u5922 – Battle Angel Alita<\/em>, Shueisha, Tokyo, 1990-1995 (ripubblicato \/ republished, Kodansha Comics, USA, 2017)<\/p>\n

Friedrich Furchheim, Bibliografia del Vesuvio, <\/em>G. Zazzera, Lodi, 1991<\/p>\n

Donna Harraway, \u201cA Cyborg Manifesto: Science, Technology and Social-Feminism in late Twenty Century\u201d, Simians, Cyborgs and Women: The Reinvention of Nature<\/em>, Routledge, New York, 1991<\/p>\n

Cesare De Seta, L\u2019Italia del Grand Tour. Da Montaigne a Goethe, <\/em>Electa, Napoli, 1992<\/p>\n

Octavia E. Butler, Parable of the Sower<\/em>, Four Walls Eight Windows, NYC, 1993 (La parabola del seminatore<\/em>, tr. Anna Polo, Solaria n.4, Fanucci, Roma, 2000)<\/p>\n

Susan Sontag, The Volcano Lover. <\/em>A Romance, <\/em>Jonathan Cape, London, 1993<\/p>\n

Terry Gilliam, Twelve Monkeys<\/em>, USA, 1995<\/p>\n

Mamoru Oshii, \u653b\u6bbb\u6a5f\u52d5\u968a – Ghost in the Shell<\/em>, \u65e5\u672c, 1995<\/p>\n

Ermanno Malaspina, Arria maggiore: una \u201cdonna virile” nelle epistole di Plinio<\/em>?, Bologna, 1996 (Francesca Leolini<\/a>)<\/p>\n

Karen Barad, \u201c<\/em>Meeting the universe halfway: realism and social constructivism without contradiction”, in Lynn Hankinson Nelson, Jack Nelson, a cura di \/ edited by,\u00a0Feminism, Science, and the Philosophy of Science, <\/em>Kluwer Academic Publishers, Dordrecht\/Boston, 1997<\/p>\n

Hayao Miyazaki, Mononoke-hime<\/em>, Giappone, 1997<\/p>\n

Andrew Niccol, Gattaca<\/em>, USA, 1997<\/p>\n

Giorgio Agamben, Quel che resta di Auschwitz. L\u2019archivio e il testimone<\/em>, Bollati e Boringhieri, Torino, 1998<\/p>\n

Karen Barad, “Agential realism: feminist interventions in understanding scientific practices\u201d, 1998”, in Mario Biagioli, a cura di \/ edited by,\u00a0The Science Studies Reader<\/em>, Routledge, New York, 1999<\/p>\n

L. Buffone, S. Lorenzoni, M. Pallara, E. Zanettin, Le macine rotatorie in rocce vulcaniche di Pompei, <\/em>Rivista di studi pompeiani X, L\u2019Erma di Bretschneider, Roma, 1999 (Elena Mazzi<\/a>)<\/p>\n

David Cronenberg, eXistenZ<\/em>, Canada\/UK, 1999<\/p>\n

Bruno Latour, Politiques de la nature: Comment faire entrer les sciences en d\u00e9mocratie<\/em>, La D\u00e9couverte, Paris, 1999<\/p>\n

Wachowskis, The Matrix<\/em>, USA\/Australia, 1999<\/p>\n

Karen Barad, “Reconceiving scientific literacy as agential literacy, or learning how to intra-act responsibly within the world”, in Sharon Traweek, Roddey Reid, a cura di \/ edited by, Doing Science + Culture<\/em>, Routledge, New York, 2000<\/p>\n

Annamaria Ciarallo, Verde pompeiano, <\/em>L\u2019Erma di Bretschneider, Roma, 2000<\/p>\n

Karen Barad, “Re(con)figuring space, time, and matter”, in Marianne DeKoven, a cura di \/ edited by,\u00a0Feminist locations: global and local, theory and practice, <\/em>Rutgers University Press, New Brunswick\/New Jersey, 2001<\/p>\n

Hayao Miyazaki, Sen to Chihiro no kamikakushi<\/em>, Giappone, 2001<\/p>\n

Aleksandr Sokurov, Russkiy kovcheg<\/em>, \u0420\u043e\u0441\u0441\u0438\u044f, 2002<\/p>\n

Margaret Atwood, Oryx and Crake<\/em>, McClelland & Stewart Limited, Toronto, 2003<\/p>\n

Karen Barad, \u201cPosthumanist Performativity: Toward an Understanding of how Matter Comes to Life\u201d, in Signs: Journal of Women in Culture and Society<\/em>, University of Chicago Press , vol. 28, no. 3, 2003<\/p>\n

Adrian Maben, Pink Floyd: Live at Pompeii. The Director\u2019s Cut, <\/em>USA, 2003<\/p>\n

Shane Carruth, Primer<\/em>, USA, 2004<\/p>\n

Salvatore Settis, Futuro del \u201cclassico\u201d, <\/em>Einaudi, Torino, 2004<\/p>\n

Kar-Wai Wong, 2046<\/em>, Hong Kong\/\u4e2d\u570b, \u4e2d\u56fd\/France\/Italia\/Deutschland, 2004<\/p>\n

Annamaria Ciarallo, Flora pompeiana<\/em>, Electa, Napoli, 2006 (Elena Mazzi<\/a>)<\/p>\n

Annamaria Ciarallo, Flora pompeiana antica<\/em>, Electa, Napoli, 2006 (Elena Mazzi<\/a>)<\/p>\n

Annamaria Ciarallo, Le stagioni dell\u2019antica Pompei<\/em>, Electa, Napoli, 2006 (Elena Mazzi<\/a>)<\/p>\n

Annamaria Ciarallo, Pompei e le acque<\/em>, Electa, Napoli, 2006 (Elena Mazzi<\/a>)<\/p>\n

Annamaria Ciarallo, Pompei verde. Il tempo, la moda, le piante<\/em>, Electa, Napoli, 2006 (Elena Mazzi<\/a>)<\/p>\n

Alfonso Cuaron, Children of Men<\/em>, UK\/USA, 2006<\/p>\n

Laurentino Garc\u00eda y Garc\u00eda, Danni di guerra a Pompei. Una dolorosa vicenda quasi dimenticata<\/em>, \u00abStudi della Soprintendenza archeologica di Pompei 15\u00bb, L\u2019Erma di Bretschneider,\u00a0 Roma 2006 (Silvia Bertesago<\/a>)<\/p>\n

Chan-wook Park, Ssa-i-bo-geu-ji-man-gwen-chan-a<\/em>, \ub300\ud55c\ubbfc\uad6d,\u00a0\u5927\u97d3\u6c11\u570b, 2006<\/p>\n

Timothy Morton, Ecology Without Nature. Rethinking Environmental Aesthetics<\/em>, Harvard University Press, 2007<\/p>\n

Will Steffen, Paul J. Crutzen, John McNeill, \u201cThe Anthropocene: Are Humans Now Overwhelming the Great Forces of Nature\u201d, in Ambio. A Journal of the Human Environment, <\/em>Swedish Academy of Sciences, n. 36, vol. 8, 2007<\/p>\n

Donna Harraway, When Species Meet<\/em>, University of Minnesota Press, Minneapolis\/London, 2008<\/p>\n

Matt Reeves, Cloverfield<\/em>, USA, 2008<\/p>\n

Richard Sennet, The Craftsman<\/em>, Yale University Press, New Haven\/London, 2008<\/p>\n

Andrew Stanton, Wall\u00b7E<\/em>, USA, 2008<\/p>\n

Giovanni Aliotta, Annamaria Ciarallo, Claudio R. Salerno, Le piante e l\u2019uomo in Campania: le radici culturali e scientifiche<\/em>\u202c, \u202a Regione Campania – Assessorato Agricoltura: Istituto per la Diffusione delle Scienze Naturali, Napoli, 2009\u202c (Elena Mazzi<\/a>)<\/p>\n

Neill Blomkamp, District 9<\/em>, USA\/New Zealand, 2009<\/p>\n

Annamaria Ciarallo, Barbara Vernia, a cura di \/ edited by, Conservare il cibo da Columella ad Artusi: i luoghi della conservazione<\/em>, Felici Editore, Pisa, 2009 (Elena Mazzi<\/a>)<\/p>\n

Duncan Jones, Moon<\/em>, UK\/USA, 2009<\/p>\n

Jane Bennet, Vibrant Matter: A Political Ecology of Things<\/em>, Duke University Press, Durham\/London, 2010<\/p>\n

Timothy Morton, The Ecological Thought, <\/em>Harvard University Press, 2010<\/p>\n

Christopher Nolan, Inception<\/em>, USA\/UK, 2010<\/p>\n

Slavoj Zizek, Living in the End Times, <\/em>Verso Press, London\/New York, 2010<\/p>\n

Renata Picone, \u201cPompei alla guerra. Danni bellici e restauri nel sito archeologico\u201d, in Stella Casiello, a cura di \/ edited by, I ruderi e la guerra. Memoria, ricostruzioni<\/em>, restauri, pp. 101-126, Firenze 2011 (Silvia Bertesago<\/a>)<\/p>\n

Mario Torelli, La forza della tradizione. Etruria e Roma: continuit\u00e0 e discontinuit\u00e0 agli albori della storia, <\/em>Longanesi, Milano, 2011<\/p>\n

Lars von Trier, Melancholia<\/em>, Danmark\/Sverige\/France\/ Deutschland, 2011<\/p>\n

Carolyn Christov-Bakargiev, Bettina Funcke, a cura di \/ edited by, dOCUMENTA (13): 100 Notes – 100 Thoughts, 100 Notizen – 100 Gedanken<\/em>, Hatje Cantz Verlag, Berlin, 2012<\/p>\n

Carolyn Christov-Bakargiev, Bettina Funcke, a cura di \/ edited by, dOCUMENTA (13): The Book of Books\/Das Buch der B\u00fccher<\/em>, Hatje Cantz Verlag, Berlin, 2012<\/p>\n

Carolyn Christov-Bakargiev, Bettina Funcke, a cura di \/ edited by, dOCUMENTA (13): The Logbook\/Das Logbuch,<\/em> Hatje Cantz Verlag, Berlin, 2012<\/p>\n

Shane Carruth, Upstream Color<\/em>, USA, 2013<\/p>\n

Jonathan Glazer, Under the Skin<\/em>, UK\/USA\/Switzerland, 2013<\/p>\n

Bong Joon Ho, Snowpiercer<\/em>, \ub300\ud55c\ubbfc\uad6d,\u00a0\u5927\u97d3\u6c11\u570b\/USA, Francia, 2013<\/p>\n

Aleksey German, Trudno byt bogom<\/em>, \u0420\u043e\u0441\u0441\u0438\u044f, 2013<\/p>\n

Filippo Sciacca, I<\/em>l satiro di Mazara: l\u2019enthousiasm\u00f2s e il salto iniziatico. Dall\u2019opera alla mente<\/em>, Agrigento 2013 (Francesca Leolini<\/a>)<\/p>\n

Wilhelmina Feemster Jashemski, Discovering the Gardens of Pompeii. <\/em>Memoirs of a Garden Archaeologist<\/em>, CreateSpace Independent Publishing Platform, Scotts Valley, 2014<\/p>\n

Alex Garland, Ex Machina<\/em>, USA\/UK, 2014<\/p>\n

Christopher Nolan, Interstellar<\/em>, USA\/UK, 2014<\/p>\n

Vincenzina Castiglione Morelli Del Franco, Ernesto De Carolis, Claudio R. Salerno, Caio Giulio Polibio: storie di un cittadino pompeiano. Regione Campania – Assessorato Agricoltura: Istituto per la Diffusione delle Scienze Naturali, Napoli, 2015<\/p>\n

Alessandra Fragale, Venere e Cerere nell\u2019universo femminile pompeiano<\/em>, estratto dell\u2019intervento di \/ excerpt from the intervention of \u201cArcheologia in rosa 2015\u201d, Udine 2015 (Francesca Leolini<\/a>)<\/p>\n

Yorgos Lanthimos, The Lobster<\/em>, Ireland\/UK\/\u0395\u03bb\u03bb\u03ac\u03b4\u03b1\/France\/Holland\/USA, 2015<\/p>\n

Vincenzina Castiglione Morelli Del Franco, Ernesto De Carolis, Claudio R. Salerno, Caio Giulio Polibio: storie di un cittadino pompeiano<\/em>, Regione Campania – Assessorato Agricoltura: Istituto per la Diffusione delle Scienze Naturali, Napoli, 2015 (Elena Mazzi<\/a>)<\/p>\n

Massimo Osanna, Maria Teresa Caracciolo, Luigi Gallo, a cura di \/ edited by, Pompei e l\u2019Europa (1748-1943), <\/em>Mondadori Electa, Milano, 2015 (Silvia Bertesago<\/a>)<\/p>\n

Marina Miraglia, Massimo Osanna, a cura di \/ edited by, Pompei. La fotografia, <\/em>Mondadori Electa, Milano, 2015<\/p>\n

Salvatore Settis, Anna Anguissola, Davide Gasparotto, a cura di \/ edited by, Serial \/ Portable Classic, <\/em>Progetto Prada Arte, Milano, 2015<\/p>\n

Emanuele Coccia, La vie des plantes: une m\u00e9taphysique du m\u00e9lange<\/em>, Editions Payot et Rivages, Paris, 2016 (La vita delle piante. <\/em>Metafisica della mescolanza<\/em>, Il Mulino, Bologna, 2018)<\/p>\n

Gianluca Gregori, David Nonnis, Culti pubblici a Pompei: l\u2019epigrafia del sacro in et\u00e0 romana<\/em>, estratto da \/ excerpt from \u201cAtti della giornata di studi Sapienza Universit\u00e0 di Roma\u201d, Roma 2016 (Francesca Leolini<\/a>)<\/p>\n

Donna Harraway, Staying with the Trouble, Making Kin in the Chthulucene<\/em>, Duke University Press, Durham\/London, 2016<\/p>\n

Massimo Osanna, Marco Fabbri, a cura di \/ edited by, Egitto Pompei,<\/em> Mondadori Electa, Milano, 2016<\/p>\n

Denis Villeneuve, Arrival<\/em>, USA, 2016<\/p>\n

Sylvain Bellenger, Luigi Gallo, a cura di \/ edited by, Picasso e Napoli: Parade<\/em>, Mondadori Electa, Milano, 2017<\/p>\n

Massimo Osanna, Carlo Rescigno, a cura di \/ edited by, Pompei e i Greci<\/em>, Mondadori Electa, Milano, 2017<\/p>\n

Massimo Osanna, Luigi Gallo, Andrea Viliani, a cura di \/ edited by, Pompei@Madre. Materia archeologica<\/em>, Mondadori Electa, Milano, 2017 (Elena Mazzi<\/a>)<\/p>\n

Gaetano Vincenzo Pelagalli, Michele Di Gerio, con introduzione di \/ with an introduction by Amedeo Maiuri, Il cane nell\u2019arte pompeiana<\/em>, Valtrend editore, Napoli, 2017 (Elena Mazzi<\/a>)<\/p>\n

Denis Villeneuve, Blade Runner 2049<\/em>, USA\/UK, 2017<\/p>\n

James Bridle, New Dark Age. Technology, Knowledge and the End of the Future<\/em>, Verso Press, London\/New York, 2018<\/p>\n

Claire Denis, High Life<\/em>, France\/UK\/ Deutschland\/Polska\/USA, 2018<\/p>\n

Alex Garland, Annihilation<\/em>, USA\/UK, 2018<\/p>\n

Valeria Meirano, \u201cI bronzi bombardati: un progetto per il recupero dei reperti metallici esposti nel Museo Pompeiano. Il vasellame\u201d, in Diego Elia, Valeria Meirano, a cura di \/ edited by, Pompeiana Fragmenta. Conoscere e conservare (a) Pompei. Indagini archeologiche, analisi diagnostiche e restauri,<\/em> pp. 239-246, Torino 2018 (Silvia Bertesago<\/a>)<\/p>\n

Timothy Morton, Humankind. Solidarity with Non-Human People<\/em>, Verso Press, London\/New York, 2018<\/p>\n

http:\/\/comphost-project.com, 2019-ongoing<\/p>\n

James Gray, Ad Astra<\/em>, \u4e2d\u570b, \u4e2d\u56fd\/USA\/Brasil, 2019<\/p>\n

James E. Lovelock, Novecene. The Coming Age of Hyperintelligence<\/em>, The MIT Press, Cambridge (MA), 2019<\/p>\n

Massimo Osanna, St\u00e9phane Verger, a cura di \/ edited by, Pompei e gli Etruschi<\/em>, Mondadori Electa, Milano, 2019<\/p>\n

Massimo Osanna, Pompei. Il tempo ritrovato<\/em>, Mondadori, Milano, 2019 (Francesca Leolini<\/a>)<\/p>\n

https:\/\/tavolamediterranea.com\/<\/a>, 2020-ongoing (Elena Mazzi<\/a>)<\/p>\n

Christov-Bakargiev, \u201cWhen It Disappears, the Energy Is Left\u201d, in Adri\u00e1n Villar Rojas<\/em>, Phaidon Press, London, 2020<\/p>\n

J\u00f3hann J\u00f3hannsson, Last and First Men<\/em>, \u00cdsland, 2020<\/p>\n

Christopher Nolan, Tenet<\/em>, USA\/UK, 2020<\/p>\n

Arundhati Roy, \u201cThe Pandemic is a Portal\u201d in Financial Times<\/em>, New York, April 3, 2020<\/p>\n","protected":false},"excerpt":{"rendered":"

This bibliography is the constantly updated matrix of a future Library: the one that from late 2021 the Research Center of the Archaeological Park of Pompeii will dedicate to the interconnections between the history of archaeology and its real or fantastic trajectories, the archaeology of the past and the archaeology of the future. 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